Atomos Shogun Studio 2
HDR Dual Monitor and Recorder
- 2 Channels for 4k recording/playback at up to 50/60 fps or up to 8 channels at 1080p60 across both channels
- Versatile 3U rack design with HDR monitoring, recording, signal conversion with dual redundant power supplies, shallow rack depth and removable mounting brackets
- Two 7'' HDR / High Bright displays (touch screen) with up to 3000 nit brightness
- Recording and playback
- Multi-channel HD ISO recording and switching
- Apple ProRes, ProRes RAW and AVID DNx codec support
- IO signal processing and conversion
- 3D LUT box and HDR conversion
- Dolby Vision output
- XLR audio I/O with level meter
- Playlist and EDL metadata
- Tools for image analysis and quality control
- Inputs per recording channel: 1x HDMI 2.0 4K60p, Quad link 3G SDI with 2x 12G SDI downward compatible automatic detection
- Outputs per recording channel: 1x HDMI 2.0 4K60p, 1x 2x 12G SDI loop out with downward compatible automatic detection, 2x 2x 12G SDI play out with downward compatible automatic detection and A / B selection
Weight 5.0kg / 11lb Rack height 3Ru Rack mounting Removable rack ears Dimensions (W x H x D mm) 447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears) 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears) Construction Steel construction for durability Cooling Actively controlled fan with heat sinks Operating power (including SSD) 20 - 86W Compatible batteries No Input voltage (battery) - DC Out No Size 7.2” Resolution 1920 x 1200 PPI 325 Aspect ratio 16:9 native Color Gamut Up to Wide color gamut (105% DCI-P3) Look up table (LUT) support 3D LUT (.cube format) Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 4:3 Technology Dynamic AtomHDR zoned backlight Backlight Direct LED Zones 360 direct backlight individual LEDs LEDs Wide Color Calibrated D65 or D95 Bit depth 10-bit (8+2 FRC) Color DCI-P3 105% Brightness 3000nit (+/- 10%) Brightness 3000nit (+/- 10%) Control On the fly real-time brightness analysis for LED control HDR Conversion Log/RAW to HLG or PQ, Dolby Vision Loop out Gamma Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 HDMI HDMI 1 x HDMI (2.0)** SDI Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI Signal (camera dependent) Uncompressed true 10-bit or 8-bit 422 LTC (Record Mode Only) LTC input signal and loop out Genlock (Playback Mode Only) Genlock input signal and loop out HDMI 1 x HDMI (2.0)** SDI (Play Out) 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent) HDMI to SDI 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 SDI to HDMI 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent) HDMI 2 or 8ch 24-bit, camera dependent SDI 12ch 48kHz 24-bit Audio 2ch balanced XLR analogue in/out Dynamic range >90dB Max signal level +24dBu 3.5mm 2ch. Raw to: ProRes RAW, ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD Sony^^ 4K DCI; 24/25/30/50/60p FS700, FS-5, FS-7, FS-7MkII 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon 4K DCI; 24/25/30p C300MKII/C500 CDNG 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Supported base resolution & FPS from cameras 2K DCI: 23.98/24/25/29.9/30/50/59.94/60p 1080p: 23.98/24/25/29.9/30/50/59.94/60p 1080i: 50/59.94/60i 720p: 50/60p PSF inputs converted to P but looped out as PSF Supported FPS & resolution from gaming consoles and graphic cards 4k UHD: 24/25/30/50/60p Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in all RAW modes) HDMI Auto HDMI Trigger Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard RS422* 9pin transport control on qualified controllers SDI SDI trigger camera selectable Other LANC control - Slave / Calibration on front. Serial - Calibration on front Playlist / Genlock / LTC Yes / Yes / No CDNG (Recorded content) No support ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps. DNxHR / DNxHD All recorded files can playback. (recorded content) Playback in slow motion >= 100fps. Pre-roll record Yes (HD 8s, 4K 2s) ISO Record Up to 8 streams in 60pHD in parallel Custom timelapse Yes* Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm Supported applications Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke